IN THE RAIN MV React: XG Let Grief Ruin the Makeup and Kept Singing

IN THE RAIN lets grief ruin the makeup instead of giving heartbreak another waterproof campaign. XG sing through the mess with enough control to prove emotional honesty does not require vocal collapse.

RAERAE REACTS · XG · EXACT OFFICIAL MV

“IN THE RAIN” lets grief ruin the makeup, soak the set and stay inconvenient. XG trade some of their hardest rap armor for an R&B breakup record where memory keeps arriving after the relationship has already ended. The rain metaphor is ancient enough to be dangerous—one more sad woman beside a wet window can become decorative misery—but seven distinct voices give the weather emotional jobs instead of asking precipitation to perform the whole heartbreak.

First reaction: the rain is allowed to be annoying

The water does not arrive only as a beautiful sparkle behind perfect styling. Wet surfaces change movement, hair and the way bodies occupy the frame.

That inconvenience keeps sadness from becoming luxury wallpaper.

The metaphor is familiar because weather does not ask permission

Grief behaves like a storm in the simplest sense: it changes plans, enters clothing and makes ordinary movement require more effort.

The video earns the cliché when performers respond physically rather than merely posing near it.

JURIN lowers command into admission

Her authority changes when a line sounds less like direction and more like somebody acknowledging what control cannot fix.

That shift expands leadership beyond invulnerability.

CHISA gives the chorus breathable ache

Her clarity carries melody without turning pain into a vocal Olympics event.

The restraint lets the lyric remain private even as the chorus grows.

HINATA makes distance readable

Small pauses and contained expression create the feeling of someone replaying a conversation internally.

She trusts the camera to notice instead of explaining every emotion twice.

HARVEY keeps heartbreak from sounding interchangeable

Her unusual tone adds personality to a genre that can smooth singers into one tasteful sadness.

Specific vocal color makes the lost relationship feel attached to a person.

JURIA balances polish and fracture

A clean phrase can still carry pressure when breath and timing are allowed to remain.

She gives the song emotional structure without sealing every crack.

MAYA makes memory conversational

Her rhythmic ease lets reflection sound like thought arriving in real time rather than a prepared monologue.

That immediacy keeps the slower tempo alive.

COCONA gives grief a lower register

Her weight changes the emotional floor. Sadness no longer belongs only to airy high notes and fragile presentation.

The song becomes broader when pain can sound grounded, irritated and physically present.

Seven voices prevent one approved way to hurt

Some members sound controlled, others exposed, dry, warm or distant. The arrangement allows different grief languages to coexist.

That variety is more honest than asking every woman to cry beautifully on the same cue.

Rain sets require safety and repetition

Wet floors, electrical equipment, continuity, temperature and multiple takes turn a simple image into production risk.

The fantasy depends on crews making water predictable enough for performers to remain expressive.

The camera sometimes confuses closeness with access

Tight framing can create intimacy, but grief is not owed to the viewer simply because the song is vulnerable.

The best close-ups feel offered; weaker ones risk consuming expression as evidence.

The arrangement knows when not to explode

A giant final belt would prove capacity and break the emotional scale. The song chooses accumulation through layers and timbre.

That decision trusts the group’s vocal identities more than a standard climax.

The ending keeps the weather unresolved

The rain does not stop because the singer reached the correct insight.

Recovery is not a music-video cue, and the lack of instant sunshine respects that.

Seven performers, seven different jobs

JURIN brings command that reads as responsibility rather than decoration. CHISA can open melodic space without losing the record’s rhythmic spine. HINATA gives quieter transitions a precise emotional temperature. HARVEY bends tone and character until a line becomes impossible to mistake for anybody else. JURIA supplies vocal clarity without sanding away feeling. MAYA switches between technical attack and conversational wit. COCONA makes low-register confidence sound embodied rather than borrowed.

Those are tendencies, not permanent assignments. Every full-group master routes the same canonical card to all seven profiles because participation should not depend on line-count arguments, thumbnail placement or which member a fan account clipped first.

What changed every time I replayed it

The first watch followed water and melody. The second listened for seven different relationships to control: who contained the feeling, who let breath show and who sounded irritated that memory still had access.

By the third replay, the absence of a huge climax felt like the most confident choice. XG let timbre carry the emotional growth instead of demanding a vocal trophy.

What I kept replaying

• JURIN letting authority include helplessness.
• CHISA opening the chorus without overselling pain.
• HARVEY protecting the song from generic tasteful sadness.
• COCONA placing grief in a grounded lower register.
• The final rain refusing to become an instant healing certificate.

The larger industry question

Female pop vulnerability is frequently marketed as proof of authenticity, even when performers receive little privacy around real pain. A sad song can be honest work without becoming permission to demand personal disclosure.

The members owe the audience a performance, not matching autobiographical wounds. Interpretation should stay with the song, voice and image unless a performer chooses to explain more.

Where it could hit harder

Several rain images rely on well-worn breakup-video shorthand; more specific objects or narrative details could distinguish this lost relationship from the genre’s entire wet archive.

The mix occasionally smooths vocal edges that the restrained arrangement needs. A little more breath, scrape and room sound would deepen the intimacy.

Memory edits people more aggressively than the camera

After a relationship ends, recollection keeps changing the sequence. One replay highlights tenderness, another retrieves the warning sign that was ignored, and a third invents certainty nobody possessed in the room. The video’s repeated wet spaces suit that unstable archive.

Water blurs edges without removing the object underneath. XG use the image best when a member appears to recognize the memory and distrust it at the same time.

Sadness does not cancel technical skill

Slow songs are often described as chances to show vocals, as if fast or rhythmic records contain less technique. Here the difficult work is proportion: sustaining tone, controlling breath and preserving seven identities without breaking the intimate scale.

The members sound skilled because the song remains emotionally believable, not because each section pauses for a demonstration. That is a harder and more generous kind of control.

RaeRae verdict

“IN THE RAIN” succeeds because XG let seven voices hurt differently. The R&B restraint keeps grief human instead of converting it into a showcase.

The weather metaphor is old, but physical inconvenience, vocal identity and refusal of a fake sunny ending make it earn another use.

Bottom line

XG let grief ruin the makeup and kept singing. “IN THE RAIN” lands when seven different voices make familiar weather feel personal and the ending refuses to issue an instant recovery certificate.

Sources and official routes

• Exact official “IN THE RAIN” MVDaily+11.6KTotal views15.5M
• XG group hub
• JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA and COCONA

Lyrics and meaning

The lyric uses rain as permission to grieve in public while pretending the weather caused the visible damage. That excuse protects dignity, but it also exposes how often women are expected to hide heartbreak unless nature provides cover.

Credits and receipts

Use the exact official MV and the XG hub for the seven profiles, discography, and connected Reacts.