TOMORROW X TOGETHER: Complete TXT Members, Music and 2026 Guide
Group profile
Members Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai Company BIGHIT MUSIC Debut March 4, 2019 Current status Active five-member group; all five re-signed Fandom MOA TXT are still five, still together, and old enough that the next chapter should sound like experience rather than a reenactment of youth.
Quick file
TOMORROW X TOGETHER are Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai. BIGHIT MUSIC debuted the five-member group on March 4, 2019 with The Dream Chapter: STAR. All five members re-signed before the first contract cycle ended. Their current file includes the 2025 studio album The Star Chapter: TOGETHER and the April 2026 mini album 7TH YEAR: A Moment of Stillness in the Thorns.
The name is a promise, not a spelling test
TOMORROW X TOGETHER is pronounced Tomorrow by Together and shortened to TXT. The name imagines different people gathering under one dream to build a new tomorrow. Seven years later, the useful question is not whether the slogan sounds pretty. It is whether five distinct careers still choose the same operating future. The renewal notice supplies a factual yes.
The 2019 debut pressure
TXT debuted as BIGHIT’s first new group after BTS. Comparison arrived before the members had enough catalog to answer it. “CROWN” responded with bright synth-pop, antlers, horns and the idea that frightening difference could become connection. The debut was cute without being emotionally empty; anxiety was already hiding beneath the color.
The Dream Chapter begins
The Dream Chapter: STAR introduced friendship as a form of magical recognition. MAGIC expanded the world through “Run Away,” where escape feels necessary and dangerous at once. ETERNITY let friendship fracture. This progression matters because TXT’s lore was never simply five boys finding a fantasy door. Every door charged emotional interest.
Minisode1 and the pandemic gap
minisode1: Blue Hour used disco brightness and sunset loneliness during a period when ordinary social life had collapsed. “Blue Hour” could dance without denying separation. TXT’s best pop often works this way: production supplies immediate pleasure while the lyric admits that pleasure cannot permanently fix the room.
The Chaos Chapter changed the temperature
The Chaos Chapter: FREEZE pushed the group toward pop rock, emo urgency and romantic catastrophe. “0X1=LOVESONG” and “LO$ER=LO♡ER” made desperation loud enough to sing with a crowd. The shift did not reject their youth concept. It admitted that youth becomes angrier when fantasy fails to protect it.
Thursday’s Child and aftermath
minisode 2: Thursday’s Child processed breakup through sharper synths, rock edges and performance aggression. “Good Boy Gone Bad” is unsubtle by design. The era asks what happens when a boy trained to be emotionally legible discovers that pain is not improved by behaving nicely for an audience.
Temptation offers the beautiful trap
The Name Chapter: TEMPTATION turned escape into seduction. “Sugar Rush Ride” is polished, physical and suspicious of its own pleasure. Neverland is appealing because adulthood is frightening. The chapter works when temptation feels understandable, not when the story pretends refusal is easy.
FREEFALL makes reality unavoidable
The Name Chapter: FREEFALL brought the group back toward reality through “Chasing That Feeling” and a broader rock-pop palette. Falling is not presented as failure alone. Choosing the real world means accepting weight, consequence and the possibility that connection must function without a magical environment doing the emotional staging.
SANCTUARY returns to love
The Star Chapter: SANCTUARY arrived in November 2024 with “Over The Moon.” The project explores reunion, safety and the decision to stop running. The gentler framing did not erase earlier damage. It asked whether love remains meaningful once the characters understand that beautiful promises can also become avoidance.
TOGETHER closes a chapter
The Star Chapter: TOGETHER arrived July 21, 2025 as TXT’s fourth Korean studio album. “Beautiful Strangers” treats difference and old wounds as evidence of survival through connection. The album also gives each member an individual track, allowing the group’s name and five separate musical identities to occupy one package.
Five solo songs inside one group album
Soobin’s “Sunday Driver,” Yeonjun’s “Ghost Girl,” Beomgyu’s “Take My Half,” Taehyun’s “Bird of Night” and Hueningkai’s “Dance With You” are individual tracks inside a TXT album. They show personal color without automatically creating five independent Artist routes. Yeonjun’s separate principally credited releases do create that route; the others remain member profiles until equivalent solo debuts occur.
Beautiful Strangers needs room
The title track’s dreamy piano, synth bass and institutional body imagery compress a large idea into a short runtime. The song is emotionally intelligent and structurally impatient. That tension powers the React: friendship becomes a survival system, scars become history, and the missing bridge becomes my ongoing administrative complaint.
All five re-signed
BIGHIT officially announced that Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai all re-signed. Renewal is not proof that every negotiation felt simple or that group life will never change. It is a dated, accountable status receipt: the five-member lineup chose to continue under BIGHIT MUSIC.
The seventh-year record
7TH YEAR: A Moment of Stillness in the Thorns was announced for April 13, 2026. The title places longevity beside discomfort instead of staging a victory lap. Seven years means the members can look backward without becoming museum exhibits. Current coverage should include this record rather than freezing the group in its 2025 renewal headline.
Setsuna Hanabi and the Japanese lane
“Setsuna Hanabi” belongs to TXT’s Japanese catalog and has its own official upload. Japanese releases are not optional footnotes to a Korean career. They require exact titles, regional sources, participating-member links and independent React identity when the tracker contains the official video. Translation should clarify the object rather than replacing it.
The five-member chemistry
TXT work because the members are not interchangeable. Soobin supplies warmth and regulation, Yeonjun sharp attack and performance instinct, Beomgyu texture and emotional timing, Taehyun technical pressure, and Hueningkai scale, brightness and instrumental curiosity. Those descriptions are listening prompts, not permanent limits.
Soobin’s leadership
Soobin’s leadership style is relational. He notices mood, makes space and speaks carefully when the group needs a public voice. Softness is not the absence of authority. In a team with five established personalities, keeping the room usable is a form of professional labor even when it produces fewer viral clips than confrontation.
Yeonjun as performer and artist
Yeonjun built an individual identity through dance, fashion, features and principally credited solo releases. His Artist and member listings point to one canonical profile. The site does not clone him every time a new song arrives. One person, one route, complete relationships.
Beomgyu’s expressive timing
Beomgyu can switch from disruptive humor to precise emotional stillness quickly enough that edited variety content sometimes hides the craft. His performance value is not simply being chaotic or pretty in damaged scenery. Watch when he lowers intensity, redirects focus and lets a line land without overselling it.
Taehyun’s technical honesty
Taehyun speaks about singing and improvement with unusually direct language. Technique is not a magical shield against difficult schedules or imperfect performances. It is a method: listen, diagnose, practice and return. His profile follows that professional record without treating one encore as a permanent courtroom verdict.
Hueningkai’s musical expansion
Hueningkai entered as the youngest member with a bright tone and a visible relationship to instruments. Writing and production credits, including “Dear Sputnik,” made his musical curiosity public. His profile keeps rock instinct, pop flexibility and reliability together without pretending a group-album solo track was a separate debut.
Choreography as narrative
TXT choreography often turns relationship into geometry. Members separate, mirror, restrain, rescue and reform. Their height makes extended lines visible, but character prevents the result from becoming cold architecture. The best stages let viewers understand emotional relationships even without knowing every lore object.
Lore without homework
Horns, wings, cats, doors, stars and burning objects recur across the catalog. Readers can enjoy those connections without completing a theory exam. Lore is most useful as emotional continuity: difference, abandonment, temptation and reunion appear in new forms because growing up revisits old problems with more vocabulary.
The short-song problem
TXT are not responsible for every industry trend, but some recent tracks end before their strongest idea develops. A compact arrangement can be disciplined. It can also feel like someone deleted the bridge to improve completion rates. The Reacts evaluate the actual song rather than praising runtime anxiety as modern efficiency.
The Japanese catalog deserves full status
Japanese originals and versions extend TXT’s career through a separate market, language and promotional system. They should be filed chronologically and sourced from the official Japanese site. A regional single does not become less canonical because an international listener discovered it after the Korean albums.
The renewal changes the question
Before renewal, the seventh year invites speculation about whether a group will continue. After an official five-member renewal, the better question is what continuation produces. Longevity is not an artistic direction by itself. TXT now have enough control, experience and individual color to make the next chapter less dependent on inherited youth branding.
MOA and the audience contract
MOA means Moments of Alwaysness. The fandom has followed a story obsessed with permanence while living through an industry built on short promotional cycles. Official notices, accessible schedules and exact video links are not minor clerical favors. They are how the company respects the audience asked to keep up across languages and platforms.
The international-following problem
International fans should not need six translation accounts to distinguish a Korean album, Japanese single, solo project and stage video. This hub centralizes canonical routes and official receipts, but a fan site cannot permanently replace source infrastructure. BIGHIT and regional partners still own the responsibility to publish timely, durable multilingual information.
The image-card rule
The landing page uses five finite member cards and finite React cards. Each card uses the destination post’s unique local featured attachment and opens the canonical route. No infinite horizontal carousel hides Hueningkai off-screen, and no group photograph impersonates five different people.
The canonical-image rule
Each post uses one local WordPress attachment across featured, hero, card, Open Graph and Twitter roles. Cropped derivatives remain sizes of that attachment, not new identities. Reacts use their own official-video images. Human profiles use real photographs rather than generated substitutes.
Official video tracker: what the filing means
A playlist relationship is exact, not vibes-based. “Beautiful Strangers” official MV, its Studio Choom performance and “Setsuna Hanabi” are separate eleven-character video objects. Each React embeds one audited upload. Group and member profiles inherit only videos in which the five members actually participate.
What not to infer
A member solo track inside a group album does not automatically prove an independent debut. A fashion campaign does not become music. A health break does not prove departure. A renewal does not prove permanent harmony. The site records official releases, credits and notices, then leaves private certainty where it belongs.
RaeRae’s read
TXT built a career by letting youth become stranger as the members grew older. The smartest move now is not pretending five adults remain debut-era magical boys. It is letting experience change the sound, the stakes and the humor while preserving the emotional intelligence that made the fantasy worth following.
What the next era should prove
The next era should give every member a function that cannot be swapped without changing the arrangement. Let Soobin’s lower warmth anchor, Yeonjun disrupt, Beomgyu texture, Taehyun climb and Hueningkai open the ceiling. Individuality should be audible before a line-distribution spreadsheet explains it.
Update responsibility
A new TXT release updates this hub, all participating profiles, the exact official-video tracker and any requested React. A principally credited solo release updates the same canonical person profile and Artist index. Cards, image parity, SEO, taxonomy and mobile layout must be checked before the audit row changes to Pass.
Bottom line
TXT remain an active five-member BIGHIT MUSIC group with a complete renewal receipt, seven years of connected Korean and Japanese work, expanding individual identities and enough accumulated symbolism to furnish a suspicious forest. The useful guide keeps chronology, criticism, humor and exact relationships together.
Meet the members
In-depth React library
Canonical relationships
Official links and sources
- BIGHIT official TXT profile
- BIGHIT official discography
- The Star Chapter TOGETHER official page
- All five members re-signed notice
- 7TH YEAR release notice
- TXT official Japan site
- TXT official YouTube
The catalog is a conversation with earlier selves
TXT repeatedly return to images introduced when the members were teenagers, but repetition is useful only when the meaning changes. A horn can move from frightening difference to healed scar; a door can shift from escape to conscious return. The group’s history becomes coherent when symbols age with the performers rather than forcing adults to reenact debut emotions forever.
English-language collaborations
Collaborations and English-language releases expanded TXT’s audience without replacing the Korean and Japanese catalog. A feature should be credited to the exact performers and release, not inherited by every related profile. Cross-market work becomes meaningful when the musical exchange is described; a recognizable collaborator name alone is not analysis.
Tours are where the catalog meets bodies
Concert tours turn chapter sequencing into physical endurance and audience memory. A set list can reveal which early songs still function, which transitions need new arrangements and how individual material coexists with the group name. Touring success is not only ticket scale. It is evidence that seven years of songs can form one live argument.
The members are adults now
Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai debuted young but should not remain frozen as archetypes created during trainee introductions. Adult careers include boundaries, technical growth, individual preferences and changing relationships to public work. A current profile must update language as carefully as release dates.
Vocal development across seven years
Early TXT recordings emphasized youthful blend and polished brightness. Later rock, R&B and individual tracks expose more contrast. Vocal growth is not merely higher notes. It includes breath planning, consonant attack, lower-register confidence, emotional restraint and the ability to preserve identity inside dense production.
Rap inside a melody-first group
TXT are not organized as a rap-centered team, yet rhythmic delivery matters throughout the catalog. Yeonjun often supplies sharper attack, while other members move between spoken, melodic and sung-rhythm functions. The useful question is what a passage does to structure, not whether a role list grants permanent ownership of a genre label.
Production participation must stay exact
Members have accumulated lyric, composition, production and choreography participation across different works. Every credit should name the song and function. “Self-produced” is too broad when it turns several published contributions into total authorship of an entire catalog. Precision respects both member labor and the other credited creators.
The group-album solo boundary
Individual tracks inside TOGETHER are a meaningful expansion of identity, but their release architecture remains a TXT album. The website can celebrate each song on the matching member page without manufacturing five separate artist careers. Yeonjun’s independent principal releases are handled differently because the public credit and promotional object are different.
A renewal is the start of another workload
Re-signing closes one uncertainty and opens practical questions about scheduling, creative direction, rest and individual-group balance. Fans can celebrate continuity while still asking whether management supports sustainable work. Affection does not require treating every company choice as proof that the promise to go further is being fulfilled well.
A complete guide should survive the next comeback
This hub is built as a canonical route, not an era capsule. The next release should add dated facts, exact credits and new React relationships without deleting older chapters. Chronology allows readers to see development; constant page replacement makes a seven-year career look as if it began with whichever teaser was posted last week.
The listening path for new readers
Start with “CROWN,” “Run Away,” “Blue Hour,” “0X1=LOVESONG,” “Sugar Rush Ride,” “Deja Vu,” “Beautiful Strangers” and the current seventh-year material. Then open one full album in order. A playlist of title tracks introduces range; album sequencing reveals whether the group’s emotional logic survives beyond promotional singles.
The accountability standard
Criticism should name the song, stage, arrangement or management decision rather than converting discomfort into a rumor about character. Praise should be equally specific. TXT have enough published work that nobody needs to invent private motives to write an interesting page. The catalog supplies plenty of evidence and several bridges worth arguing about.