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Artist profile

EVAN

Status: Active solo artist
Years active: 2019–present; EVAN era 2025–present

He spent his teens proving he could rap on television, spent his early twenties deciding that rap was not the whole story, and then changed his name in public. That is either terrifying or the cleanest way to stop arguing with your old self.

EVAN is South Korean singer, rapper, songwriter, and producer Song Min-jae. Older K-hip-hop fans first knew him as PLUMA, the teenage contestant who kept appearing in survival-show lineups. In 2025, he signed with AT AREA, retired the PLUMA name, and started rebuilding his sound around alternative pop, electro-pop, rock, and melodic R&B.

Important internet confusion: This is Song Min-jae, formerly PLUMA. He is not former ENHYPEN member Heeseung, who began using the same EVAN stage name in 2026. Two artists. One extremely unhelpful search result.
EVAN Song Min-jae in the Can't Help It official video

Stage name: EVAN (에반)

Former stage name: PLUMA (플루마)

Birth name: Song Min-jae (송민재)

Born: September 25, 2002

Nationality: South Korean

Roles: Singer, rapper, songwriter, producer

Current label: AT AREA

Former label: Highline Entertainment

Debut: “Weekend” as PLUMA in November 2019

EVAN era: “Star Below” featuring pH-1, March 27, 2025

Before EVAN: the teenager named PLUMA

Song Min-jae did not arrive through the polished idol-trainee lane. His first public education happened on Korean hip-hop competition television. He appeared in the Show Me the Money ecosystem and competed on High School Rapper 3 and High School Rapper 4. Those programs made him recognizable while he was still figuring out what kind of artist he actually wanted to become.

As PLUMA, he signed with Highline Entertainment and officially debuted in 2019 with “Weekend.” The name came from the Latin word for feather or pen. He had started writing lyrics in notebooks as a middle-school student, so the image made sense. It also trapped him inside an identity formed when he was very young.

His television history matters because EVAN did not suddenly discover rhythm in 2025. The rap training, quick phrasing, competitive nerves, and habit of writing for himself were already there. The change is in what he lets those skills serve.

Why PLUMA became EVAN

After signing with AT AREA, the label associated with GroovyRoom, GEMINI, and MIRANI, Song Min-jae announced a new stage name and a new musical direction. In interviews, he described the change as a reinvention rather than a cosmetic rebrand. He had spent time testing different sounds and realized the music he actually loved stretched well beyond the melodic-rap box attached to PLUMA.

That is a risky move when people already know your old name. Search history disappears. Existing listeners get confused. The first paragraph of every interview has to explain who you used to be. EVAN called it “high risk, high return,” which is exactly the kind of sentence a twenty-something says before deleting an entire brand deck and somehow making the decision work.

His first EVAN single, “Star Below” featuring pH-1, introduced a dreamy pop and R&B version of him. “Can’t Help It” followed in July 2025 and moved closer to direct pop songwriting. Both releases made the point: EVAN wanted melody, atmosphere, live-band influence, and emotional clarity without abandoning the rhythmic instincts built as PLUMA.

What EVAN actually sounds like

EVAN has named Justin Bieber, One Direction, Skrillex, Coldplay, Maroon 5, Oasis, Green Day, and British pop-rock bands among his influences. That list is chaotic until you listen for the common thread. He likes songs that arrive quickly, carry a clear emotional premise, and leave enough production texture to feel larger than a diary entry.

His current lane mixes alternative pop, electro-pop, R&B, rock color, and rap-informed phrasing. He is not trying to prove he can hit every genre in one track. The better songs let the vocal melody lead while the old rapper’s sense of pocket keeps the verses from lying flat.

The voice

Light, youthful, and flexible. He uses breath and tone more than brute-force belts, which suits songs about longing and uncertainty.

The writing

Direct feelings, compact hooks, and conversational English phrases. He writes like someone who wants the line to be sung back immediately.

The old skill that stayed

Rap timing. Even when he is singing, the placement of syllables carries the confidence of somebody trained to survive sixteen bars under judgment.

The risk

Clean pop can erase personality fast. EVAN is strongest when a strange production choice or a slightly rough vocal edge interrupts the prettiness.

Start here

  • “Star Below” featuring pH-1: The formal start of the EVAN era. Dreamy, nocturnal, and deliberately different from PLUMA.
  • “Can’t Help It”: A self-written pop confession with Noisy Choice handling the instrumental backbone.
  • PLUMA’s “Weekend”: Useful if you want to hear where the public career began before the name and genre shift.
  • High School Rapper performances: The evidence that his rhythmic instincts did not arrive with the new hair and branding.

RaeRae take

I like reinventions when the artist is willing to make the old fans slightly uncomfortable. Otherwise, it is usually the same music wearing a new jacket. EVAN changed the name, the genre center, and the way he talks about his own work. That is an actual pivot.

The catalog is still small enough that the promise is larger than the proof. “Can’t Help It” is clean and likable, perhaps almost too likable. I want one future single that gets weird enough to make the rebrand impossible to reduce to “PLUMA sings pop now.” The talent is there. The next question is whether EVAN becomes a person with a distinct world or simply a very capable guest in several genres.

YouTube tracking history

This tracker follows EVAN’s official AT AREA videos and refreshes daily and total YouTube views.

Sources

Sources: AT AREA’s official “Can’t Help It” video and artist links; EVAN’s Stardust Magazine interview on songwriting and his genre change; Variety/Yahoo’s AT AREA signing report; The Knockturnal’s “Star Below” interview; Korean artist databases covering Song Min-jae’s PLUMA and survival-show history.

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