PURPLE KISS: Members, Music, History and Complete Group Archive
Group profile and current lineup
| Final lineup | Goeun, Dosie, Ireh, Yuki, Chaein and Swan |
|---|---|
| Original member | Jieun |
| Company | RBW |
| Debut | March 15, 2021 |
| Activities ended | November 16, 2025 |
| Current status | Former group archive; all seven historical members retained |
| Fandom | PLORY |
Seven original members, six at the ending, a self-produced gothic-pop catalog, and an official final date of November 16, 2025.
Group facts and official links
PURPLE KISS debuted under RBW on March 15, 2021 with Into Violet and “Ponzona.” The original seven were Goeun, Dosie, Ireh, Yuki, Chaein, Swan and Jieun. Jieun left on November 18, 2022, and the group continued as six. RBW announced in August 2025 that group activities would conclude, and the final official notice dated the end to November 16, 2025. PURPLE KISS is therefore an archival former group in the 2026 directory.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Final six-member lineup
The final lineup was Goeun, Dosie, Ireh, Yuki, Chaein and Swan. All six are former members after the group’s official activities ended.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Original member Jieun
Jieun belongs to the original seven-member debut record and left in November 2022 following health-related discussions. Her voice remains credited on the releases she recorded; she is not retroactively inserted into later six-member videos.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Formation: 365 Practice and pre-debut
RBW introduced the trainees through the 365 Practice channel before the group name solidified. Covers and performance clips created early evidence of strong vocals, dance and arrangement participation rather than relying only on polished debut biographies.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
The debut
“Ponzona” established a theatrical, controlled darkness. The group did not simply wear gothic styling; the arrangement, vocal grain and choreography all treated atmosphere as structure. Into Violet also made member writing and production part of the public identity.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Zombie and camp horror
“Zombie” proved the concept could be funny without becoming weightless. Bright color, monster-movie play and an adhesive hook expanded the audience while keeping the members’ unusual vocal colors intact. It remains a strong entry point for the catalog.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
memeM and Cabin Fever
“memeM” pushed toward harder rhythmic attack, while Cabin Fever and “Sweet Juice” brought restraint back into focus. The hotel-like gothic world of “Sweet Juice” became one of the group’s clearest critical signatures.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
The self-producing claim
Members contributed lyrics, composition, choreography and concept work across the catalog. Yuki’s rap credits and Chaein’s writing/production are especially visible, but the broader point is collective authorship rather than a marketing badge pasted onto one comeback.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Jieun’s 2022 departure
RBW announced that Jieun would leave after discussions connected to health and anxiety symptoms. A responsible archive records the company’s stated reason and date without turning medical context into personality content or demanding private proof.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
The six-member years
Goeun, Dosie, Ireh, Yuki, Chaein and Swan continued through “Sweet Juice,” “7HEAVEN,” “BBB,” “ON MY BIKE” and the final 2025 projects. The smaller lineup developed its own formation logic instead of functioning as an incomplete version of seven.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
DOREMI and the final Korean chapter
“DOREMI” arrived July 16, 2025 on I Miss My…. Its bright summer language sits beside the darker catalog rather than contradicting it. Hindsight makes the flowers feel elegiac, but the release remains more than a coded goodbye.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
OUR NOW and the farewell schedule
After the August announcement, PURPLE KISS completed planned work including the English album OUR NOW, Japanese promotion, a U.S. tour and a Korean concert. The ending was scheduled publicly rather than discovered through months of silence.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
November 16, 2025
RBW’s final notice states that all official PURPLE KISS activities concluded on November 16. The directory therefore uses past tense and former-member routing. A later reunion event can be documented without pretending the group resumed continuous activity.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
Current status in August 2026
All six final members appearing together at a special fan event shows continuing human and audience relationships, not an official reversal of the end notice. Reunion, friendship, contract status and active group status remain separate fields.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
PLORY and archive continuity
PLORY is the fandom name. The official catalog, videos and community pages remain useful primary sources even after activity ends. Archival status does not make the work less discoverable; it makes dates and source ownership more important.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
RaeRae take
PURPLE KISS had the maddening problem of repeatedly proving the concept worked and then being asked to reintroduce themselves. The catalog is too coherent to call them directionless and too varied to reduce them to Halloween. The ending is official; the missed runway is still worth arguing about.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
What to watch next
Follow each woman’s verified individual work, agencies and credits. Swan has an established solo catalog, Yuki signed new management in 2026, and other members may move through production, performance or acting. Those futures extend individual pages, not a falsely active group hub.
The archive separates the official timeline from interpretation. A dated notice proves employment and activity status; it does not explain every private negotiation behind the decision.
In-depth React image cards
Official music video tracker
Exact official upload ID: 8Lyf6PipuIg. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: -UroBRG1rY8. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: R3BdincaJe4. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: jM_1dLjqtlo. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: WFqGKa6p1V8. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: _NxTvO6DBKQ. The archive preserves the lineup and release era attached to the master.
Exact official upload ID: 3QChCsJMElc. The archive preserves the lineup and release era attached to the master.
A group that made specificity its advantage
PURPLE KISS never needed to win a contest for the largest budget. Their advantage was knowing exactly what kind of room a song occupied. Zombie is camp with a pulse, Sweet Juice turns restraint into unease, and On My Bike makes rock texture feel like character rather than a costume rented for one comeback. Those records do not share one genre, but they share an appetite for detail. A whispered phrase, a crooked melodic turn or a prop held half a second too long could make the group recognizable.
That specificity also explains why the group’s catalog rewards full-video Reacts. A thumbnail and chorus clip flatten the material into “witchy” or “horror,” labels broad enough to miss the humor, sensuality and theatrical timing underneath. The exact uploads matter because choreography versions, performance films and official MVs solve different problems. This archive keeps those objects separate instead of pretending every appearance of a song is interchangeable.
How the six-member chemistry worked
GOEUN and SWAN gave the vocal line two different kinds of gravity. GOEUN could make a difficult passage feel architected, while SWAN’s tone introduced grain and unpredictability even when the melody was polished. CHAEIN connected performance and construction; her value was audible in phrasing and in the group’s broader self-producing identity. DOSIE and IREH made concepts physical without dancing as if they belonged to separate teams. YUKI’s rhythmic presence cut clean paths through arrangements that might otherwise have become too ornate.
The point of naming those tendencies is not to freeze six women into job descriptions. PURPLE KISS were compelling because responsibility moved. A member who anchored one chorus might become the sly reaction at the edge of the next frame. Their best staging used that mobility: the center was a relay, not a throne, and the viewer learned the lineup by watching relationships rather than waiting for isolated beauty shots.
Jieun belongs in the complete history
Park Jieun’s departure in 2022 cannot be handled by quietly rewriting the debut era as six members. She trained, debuted and recorded as part of the original seven-member group. Her later absence changes the current-lineup facts, not the past. A responsible archive links her profile, dates the agency announcement and avoids turning a health-related departure into speculative drama. Readers should be able to understand both lineups without being invited to rank one against the other.
The farewell changes how the catalog sounds
When a group announces an ending, listeners often search backward for clues and convert every melancholy detail into prophecy. That can be emotionally satisfying and historically sloppy. Earlier videos were made inside their own release contexts. The farewell schedule adds a new layer, but it does not prove every lyric or visual was secretly designed for dissolution. DOREMI deserves close reading because it became part of the final Korean chapter, not because hindsight grants us access to private intentions.
The November 16, 2025 endpoint also needs precise language. “Disbanded” may describe the end of regular group activity, while later fan events or member interactions can still occur. Those appearances do not automatically reverse the announcement, and the announcement does not make the members strangers. This page records the formal status and leaves room for verified reunions without manufacturing a comeback from a photograph.
PLORY and archive continuity
PLORY combines PURPLE KISS with “glory,” and the fandom’s work now includes keeping an unusually textured catalog discoverable after the promotional machine slows down. That does not mean fans must become unpaid publicists or treat streaming totals as a moral duty. The healthier archive practice is accurate: preserve official links, identify exact versions, credit the creative teams and correct rumors before they harden into biography.
A viewing path through the eras
Begin with pre-debut material to see the performance foundation before the group’s public mythology settled. Move to Ponzona for the formal introduction, then place Zombie beside memeM; the contrast shows how humor and menace could both fit without reducing the members to one mood. Sweet Juice is the essential midpoint because its control makes every small choice legible. Follow with On My Bike for scale and abrasion, and end with DOREMI only after that history is in view.
That order is not a ranking. It is a way to watch the group acquire and then bend its own visual language. Readers who arrive through one member’s solo work should take the same route rather than treating the group page as background trivia. PURPLE KISS was the laboratory in which many of those instincts became visible.
What remains worth arguing about
PURPLE KISS leaves behind a useful argument about what success is allowed to mean. The group did not become disposable because the largest commercial breakthrough never arrived. They built a catalog with identifiable craft, gave performers room to contribute and made concepts that people can still describe without reciting marketing copy. That is artistic evidence, not consolation. Numbers explain some business decisions; they do not finish the critical conversation.
The frustrating part is that consistency of imagination was not matched by consistency of scale. A group can execute an idea beautifully and still need stronger distribution, clearer international scheduling and sustained promotion after release week. Fans often blame themselves for not streaming hard enough because that story is easier than confronting the uneven machinery around mid-tier acts. The archive should resist that guilt. Listeners can support work; they cannot substitute for a label’s strategy.
There is also no need to flatten the final era into tragedy. Humor remains funny, horror remains pleasurable and a confident performance does not become fake because the contract later ends. Art survives chronology by continuing to do what it did in the first place. Zombie can still make a new viewer laugh. Sweet Juice can still tighten a room. On My Bike can still make distortion feel glamorous. Farewell supplies context, not a command to mourn every frame.
Future member work should be connected back here with the same precision. A solo release belongs on the relevant artist profile and tracker; it does not retroactively become a PURPLE KISS group song. A reunion appearance belongs in the current-status section with its date and source; it does not automatically reactivate the group. Those boundaries keep affection from turning into misinformation and make it easier to celebrate whatever the members choose next.
That precision also protects the members from a common archive failure: reducing every later choice to a verdict on the old group. New agencies, solo genres, acting work or quieter private lives should be documented on their own terms. PURPLE KISS remains a shared chapter, not a permanent explanation for six separate futures. The hub keeps the connection visible without turning it into a cage.
Accuracy is part of the care.