Ireh

Profile

Zodiac file, translated for people who do not collect birth charts

Western zodiac: Taurus , grounded, physical, and committed enough to make difficult movement look inevitable.

Chinese zodiac: Water Horse , energetic, adaptable, and not interested in standing still for anybody’s convenience.

This is fandom seasoning, not a medical chart or an excuse to blame Mercury for somebody missing rehearsal.

The career file

A former YG trainee who became one of PURPLE KISS’s most explosive dancers and a reliable source of choreography covers fans pass around like evidence.

PURPLE KISS moved through gothic pop, camp horror, funk, theatrical outsider anthems, summer pop, and rock-leaning performance tracks. That range matters when judging any member: the job was never to repeat one face for four years.

Why Ireh mattered to the sound and stage

Ireh brings weight and release. Her strongest dance moments do not look pasted onto the beat; they look like the beat acquired joints. Fans circulate her covers because she changes texture instead of only copying shapes. Inside PURPLE KISS, that physical confidence helped concepts remain theatrical without becoming fussy. She also developed as a vocalist in a group crowded with recognizable tones, which is a harder job than profile pages usually admit.

Where to start without opening forty tabs

1. Watch the official “Ponzona” debut stage for the original identity.
2. Use “Zombie” or “Sweet Juice” to see how Ireh handles a completely different tone.
3. Open the PURPLE KISS album credits and performance videos instead of trusting role labels copied across profile sites.
4. Then follow the individual work, covers, writing, dance, acting, or solo releases that actually fit this person.

The official PURPLE KISS YouTube channel, @purplekiss_official, and the group’s Weverse archive are the cleanest starting trail.

From trainee years to debut

Before RBW, Ireh trained at YG Entertainment. The detail matters because it helps explain the physical confidence visible in her later performances, but it should not become a fictional pre-debut lineup claim. She did not debut under YG. Her verified public group career began with PURPLE KISS after she joined RBW’s trainee system and appeared in the pre-debut rollout.

PURPLE KISS released “My Heart Skip a Beat” in November 2020 and “Can We Talk Again” in February 2021 before officially debuting. The two songs deliberately showed opposite sides of the proposed group: rock-driven performance force and slower vocal atmosphere. Ireh was especially prominent in the physical attack of the first track, establishing dance as her clearest specialty without excluding her from the vocal identity.

The official debut arrived March 15, 2021 with the mini album Into Violet and title track “Ponzona.” The original seven-member lineup included Park Jieun, Na Goeun, Dosie, Ireh, Yuki, Chaein, and Swan. Ireh’s membership therefore begins in 2021, not in the 2020 pre-debut promotional year. The distinction keeps the public card accurate while still preserving the trainee releases in her career history.

The 2021 breakthrough: “Zombie”

The second mini album Hide & Seek shifted PURPLE KISS from the darker debut spell into bright camp horror. “Zombie” became one of the group’s most accessible songs, mixing a playful hook with choreography full of character gestures. Ireh demonstrates why power is not the same thing as performing every song at maximum force. She makes the movement bouncy, interrupts clean lines with comic texture, and adjusts her face to the concept rather than carrying “Ponzona” intensity into a different world.

The era also gave listeners a better view of the group’s internal contrast. PURPLE KISS contained multiple strong vocal colors, a Japanese rapper and lyricist in Yuki, members involved in composition, and a dance line capable of treating choreography as storytelling. Ireh’s value was the physical bridge between those pieces. She could anchor a difficult sequence while leaving enough visual space for the member singing the line.

memeM, “Nerdy,” and a six-member reset

In 2022, memeM pushed the group into a harder, more repetitive electronic sound. The choreography rewards sharp stops, grounded weight, and the ability to keep dense movement readable. Ireh’s control is easiest to see in full-group practice footage, where editing cannot manufacture timing. She changes acceleration without losing the beat, an ability that makes difficult choreography look less frantic than it is.

The Geekyland era followed with “Nerdy,” turning outsider identity into theatrical camp. Later that year, Jieun left the group for health reasons. PURPLE KISS continued as six members: Goeun, Dosie, Ireh, Yuki, Chaein, and Swan. Both lineups belong in Ireh’s record. Removing Jieun from the early history would be inaccurate, while calling Ireh a former member beginning in 2022 would confuse a lineup change with her own tenure.

“Sweet Juice” and the mature performance lane

The 2023 mini album Cabin Fever and its title track “Sweet Juice” became a defining point in the catalog. The song uses controlled tension rather than constant impact, giving Ireh a different technical problem: movement must feel restrained without becoming small. Her strongest moments rely on delayed release, precise hands, and a grounded center that makes the choreography look suspended between elegance and unease.

“Sweet Juice” is also a useful correction to profiles that describe Ireh only as powerful. Power is visible, but control is the craft underneath it. She can hit hard because she can choose when not to. Dance covers circulated by fans reinforce the same point. She does not merely reproduce the outline of another artist’s choreography; she studies where weight sits and changes texture to match the music.

Later projects expanded the palette again. “7HEAVEN” explored lighter summer pop, while BXX and “BBB” brought a rougher playful energy. “ON MY BIKE” leaned into rock texture and a rebellious performance frame. Tracking all of these eras shows why a single permanent concept label fails. PURPLE KISS repeatedly changed genre, and Ireh repeatedly rebuilt her movement quality to fit.

The final 2025 chapter

PURPLE KISS released the single album I Miss My… on July 16, 2025 with “DOREMI” as its lead track. On August 4, RBW announced that group activities would conclude in November after the scheduled English album, Japanese promotions, United States tour, and final Korean concert. The members and fans therefore entered a rare long goodbye: new work still had to be promoted after the ending was already public.

The English album OUR NOW and the A Violet to Remember tour allowed the six members to meet international fans before the final date. Official activities ended November 16, 2025. That is the end of Ireh’s PURPLE KISS membership tenure for directory purposes, even though archived videos, recordings, credits, and fandom relationships continue.

Ireh did not independently leave the group before its conclusion. The correct status is Former member, 2021–2025, because PURPLE KISS ended as a group. Language such as “group activities ended” is useful in the narrative, but the Members directory needs a consistent former-member status so users can compare her card with other concluded groups.

After PURPLE KISS

As of August 2026, Ireh continues to maintain a public presence, including individual social-media updates, but no verified solo music debut or new-group debut has replaced the PURPLE KISS chapter. This profile therefore does not assign her to an invented agency, group, or solo discography. Future official dance, music, acting, or choreography work should extend this same canonical page.

That rule prevents a common archive problem. A former group member does not become a new person when she opens an individual account or changes representation. Ireh’s pre-debut training, PURPLE KISS catalog, post-group updates, and any future career belong to one identity, with group and artist shelves added only when verified work supports them.

Panda side quest

Open her dance covers after a full-group stage. The interesting part is not only power; it is how quickly she changes texture and weight.

Fandom notes and things the fact box misses

• PLORY: the PURPLE KISS fandom name joins the group name with “glory.”
• Seven to six: Jieun’s 2022 departure changed the lineup, but both eras belong to the archive.
• The catalog: “Zombie,” “Nerdy,” “Sweet Juice,” and “ON MY BIKE” show very different versions of the same performer.
• The ending: group activities ended in 2025; individual careers and credits still continue wherever the members take them.

Official sources and keep digging

RBW activity-conclusion announcement report · Official PURPLE KISS video archive