RAERAE REACTS · NTX

Holy Grail React: NTX Found the Treasure and Produced It Themselves

A forest quest, eight men, and Rawhyun quietly putting producer fingerprints over the entire map.

Release file · Video · Full review

Verdict: “Holy Grail” gives NTX a dark, bass-led quest without pretending the prize is sitting politely at the end of a map. The real find is an eight-member group with in-house production instincts, performance hunger and enough weird forest energy to make the search feel worth finishing.

A grail song needs a search

The video does not hand over treasure in the opening frame. Forest paths, ritual imagery, darkness and group movement create pursuit before the chorus names the object.

That structure keeps the title from becoming empty luxury language. A grail matters because somebody risks getting lost looking for it.

The bass makes the forest physical

Low-end pressure gives the track weight while the synthesizers maintain unease above it. The members move through a landscape that feels less like fantasy wallpaper and more like the song’s nervous system.

At 103 BPM, the production can stalk rather than sprint. The restraint lets each rhythmic hit feel deliberate.

Rawhyun is inside the machinery

His co-writing and production credit changes how the song reads. NTX are not only performing a company-selected concept; one member helped shape the sound carrying their identity.

Member production is not automatically better, but it creates accountability and continuity. Rawhyun’s fingerprints across ODD HOUR make the album feel built from inside the group.

Eight members, no invented ninth

The exact file credits Hyeongjin, Yunhyeok, Jaemin, Changhun, Hojun, Rawhyun, Eunho and Seungwon. Jiseong was absent during this group chapter and later left; he does not receive a participant card here.

Jaemin’s later name change to Xiha belongs on the same person profile, not a duplicate member page.

The hook is blunt in the right way

“Holy grail” repeats like a destination shouted through poor visibility. The phrase gives listeners a stable marker while the surrounding production twists and darkens.

A more complicated chorus might sound impressive once and vanish. This hook survives because the song makes us want the object before explaining what it is.

Hyeongjin and Yunhyeok give the quest authority

The leaders anchor the performance through vocal weight, eye-line and formation control. Their delivery makes the mission sound shared rather than assigned by a narrator outside the group.

Large-group concepts need somebody to hold the center while focus rotates. Leadership becomes visible as steadiness.

Jaemin before Xiha

This release uses the stage name Jaemin. Later records use Xiha, but the human being and career line remain continuous. A proper profile should teach both names and date the change.

Searchability matters here. Fans arriving through either era should land on one canonical page, not two half-biographies fighting over the same face.

The choreography uses pursuit

Forward-driving shapes, clustered formations and sudden directional changes keep the group looking like hunters who might also be hunted. The dance does not settle into victory too early.

That uncertainty preserves tension through repeated choruses. Nobody has the cup yet.

The full album matters

ODD HOUR runs fourteen tracks, a substantial statement for a group rebuilding attention after survival-show exposure and membership complications.

“Holy Grail” opens the front door, but the album establishes the broader case for NTX as makers rather than one viral performance clip.

Peak Time is context, not identity

The group gained wider notice through JTBC’s Peak Time. Competition exposure explains part of the audience arriving here, but the review should judge the song built afterward.

A show can lend a spotlight. It cannot write, record and perform the album that follows.

The vocals keep darkness readable

Melodic phrases cut through the dense low end without turning theatrical. Different tones give the hunt emotional variation: determination, suspicion and flashes of attraction to the danger itself.

The mix avoids forcing every singer into the same processed mask.

The runtime is almost rude

The song ends before three minutes, which keeps the hook sharp but leaves little room for an extended bridge or production detour. One more developed passage could have made the final return feel monumental.

Replay solves the commercial problem. It does not erase my desire for the forest to keep misbehaving another thirty seconds.

Warner upload, exact file

The playlist points to Warner Music Korea ID eYMdi0SA2dg. Performance videos and any parallel company uploads remain separate evidence.

This page stores its own exact frame locally and preserves source attribution across featured, hero and social metadata.

The concept avoids costume-shop medieval

There are ritual and quest cues, but the group is not dressed like eight extras waiting for a streaming fantasy series to renew. Modern styling lets the grail operate as desire rather than literal prop inventory.

That restraint makes the images more flexible and the members easier to identify.

Eunho extends the maker line

Rawhyun carries the headline production credit here, while Eunho’s wider role as a vocalist and producer matters to the group’s continuing identity. NTX have more than one member learning how records get built behind the microphone.

That creative bench could become their strongest long-term advantage. Small-company groups cannot always control promotion budgets, but internal musical fluency gives them another way to defend a recognizable sound.

Lyrics and meaning: the search can also mean survival

For a group navigating delayed debut conditions, member absences, competition television and limited public visibility, a holy grail is easy to read as the breakthrough that finally changes scale.

The video never needs to pin the metaphor down. Ambition, connection and survival can occupy the same object, especially when eight performers have spent years chasing enough attention for the music to be heard.

What changed every time I replayed it: the last chorus turns pursuit into possession

The group’s delivery grows more certain as the refrain returns. The visual world remains strange, but the members no longer seem like visitors asking permission to enter it.

That shift supplies a conclusion without displaying a literal trophy. By the final beat, ownership lives in performance: the quest works because they look capable of naming the prize themselves.

RaeRae verdict

NTX went looking for a holy grail and found the more valuable thing: a title track that sounds connected to the people performing it. Rawhyun’s production role gives the dark polish a pulse from inside the group.

The track is short, hungry and smart enough to leave the treasure slightly out of reach. I pressed replay because apparently I also make poor decisions in enchanted forests.