Han

Birth name: Park Han
Born: September 25, 2003
From: South Korea
Role: Main vocalist
Group: AHOF
Debut: July 1, 2025
Official profile
Stage name: Han
Korean name: 박한
Birthday: September 25, 2003
Company: F&F Entertainment
AHOF status: Active member
Directory: Member profile
Why the finale result matters
Universe League was built around three competing teams rather than a simple individual ranking. Team Rhythm won the Prism Cup and supplied seven debut members. The finale then added the highest-ranked contestant from Team Beat and the highest-ranked contestant from Team Groove. Han was Groove’s leading contestant and finished third overall, so his place in AHOF came through an explicit rule of the final selection, not an unofficial producer addition.
That distinction matters when reading his career. He survived because viewers and the competition structure recognized the value of a strong vocalist even when his team did not take first place. It also meant entering a nine-member lineup whose members had trained under different directors, performance systems, and national music cultures.
From Team Groove to AHOF
Team Groove trained under BTOB’s Changsub, placing vocal communication at the center of its stages. Han’s work was not limited to hitting a climactic note. He had to stabilize ensemble passages, hand lines cleanly to other contestants, and remain expressive inside arrangements designed to be judged as a team. Those habits transferred directly into AHOF, where nine members must sound connected rather than like nine separate auditions.
F&F Entertainment’s official AHOF page identifies him as Park Han, born September 25, 2003, and lists him in the current nine-member lineup. That company record is the controlling source for his membership and birthday. Older trainee-company claims remain secondary unless an agency or direct interview confirms them.
Debut with WHO WE ARE
AHOF debuted on July 1, 2025 with the EP WHO WE ARE. The title track “Rendezvous” used pop-rock guitar, drums, and a dreamlike arrangement to connect the group’s separate competition histories. For Han, the debut converted survival-show promise into repeatable group work: recording sessions, live showcases, music-show stages, choreography rehearsals, and the daily task of blending his voice with eight other members.
The debut project was led by producer EL CAPITXN, who had already worked within Universe League. That continuity gave the members a musical bridge between the program and their first official record while still requiring them to establish AHOF as more than the show’s final episode.
Performance guide
To understand Han’s contribution, compare a full Universe League Team Groove stage with an AHOF performance of “Rendezvous.” Watch the beginning and end of his phrases, not only the highest note. His usefulness appears in breath control during choreography, clear vowel placement, and the way he keeps the emotional line moving when the camera transfers to another member.
As AHOF’s catalog grows, the most revealing material will be live-band arrangements, encore stages, and tracks that give him a full verse-to-chorus arc. Those formats show whether a vocalist can shape a song, not merely complete an assigned climax.
Career timeline
- October 2024: Introduced as a contestant on SBS’s Universe League and assigned to Team Groove.
- January 24, 2025: Finished first within Team Groove and third overall, earning one of AHOF’s nine debut places.
- First half of 2025: Prepared for debut under F&F Entertainment with the full lineup.
- July 1, 2025: Officially debuted in AHOF with WHO WE ARE and “Rendezvous.”
- 2025-present: Continues group recording, performances, fan events, and award activity as an active member.
Member and Artist classification
This is Han’s single canonical person profile. He belongs in the Member directory because AHOF is his documented music career. Competition stages and individual vocal clips do not constitute a formal solo debut, so he should not appear in the Artist directory unless F&F Entertainment releases and promotes a solo music career under his name.
YouTube tracking history
CVM Sekai tracks AHOF’s official channel for music videos, performance films, dance practices, behind-the-scenes footage, vocal content, and member-focused videos that clearly credit Han. AHOF releases stay attached to the group profile and this member page so fans can reach the same work through either route without creating a duplicate person profile.
Sources
- F&F Entertainment: official AHOF artist profile – current lineup, Park Han identity, birthday, and group achievements.
- SBS News: Universe League format and team-based competition.
- SBS: Park Han performance archive.
- AHOF post-finale debut preparation report.
- Manila Bulletin: AHOF debut interview and lineup context.
Before AHOF
Han competed through Team Groove on Universe League. The finale added the highest-voted contestant from each losing team to the seven Team Rhythm winners. Han’s vocal work and votes secured one of those two positions.
What Han brings to the music
He is one of AHOF’s clearest vocal anchors. His tone gives emotional choruses a center and keeps large formations from sounding like nine attractive people taking turns near a microphone.
Fandom file
He is energetic, direct, and visibly competitive. Compliments do not relax him. They make him want the next one.
Survival-show context
AHOF was formed through SBS’s Universe League. This profile keeps that history attached without reducing Han to a final ranking. Competition footage explains the route into the group. It does not define every skill, relationship, or future release.
Universe League journey
Han competed on Team Groove under BTOB’s Changsub. Groove did not win the Prism Cup, but the finale added the highest-ranked contestant from each losing team. Han finished first within Groove and third overall, turning vocal consistency into a debut position.
Vocal identity
His role becomes clearest in live stages. Han supports long phrases, keeps pitch centered when choreography grows heavier, and gives AHOF a singer who can build rather than merely decorate a chorus. The challenge ahead is getting songs that let his tone carry narrative instead of saving him only for the expected climax.