4EVE · MAIN DANCER · RAPPER
Fai

Status: Active 4EVE member
Years active: 2020-present
This Fai 4EVE profile follows one person across the group, performance work and side quests. The member whose mother woke her up for a last-day audition already had years of street-dance competition behind her. One chaotic morning later, 4EVE had one of its strongest groove players.
Profile
Before 4EVE
Dance
Music
Personality
Links

Status
Active member
Years
2020–present
Quick file
| Stage name | Fai (ฝ้าย) |
|---|---|
| Birth name | Nattaya Buttura (ณัฐธยาน์ บุตรธุระ) |
| Born | December 2, 2002 |
| From | Chiang Mai, Thailand |
| Group | 4EVE |
| Roles | Main dancer, rapper, vocalist |
| Debut | December 23, 2020 |
| Western zodiac | Sagittarius |
| Chinese zodiac | Water Horse |
The audition almost did not happen
Fai’s path into 4EVE has exactly the kind of messy timing polished idol biographies usually delete. The Chiang Mai audition for 4EVE Girl Group Star was closing. Her mother woke her and pushed her to apply on the final day. That decision moved a dancer with years of competition experience into the survival show that built the group.
She had started taking dance seriously in primary school. Hip-hop and street styles became the base, and competitions gave her a practical education in rhythm, stamina and performing under pressure. By 2015 she had competed at Hip Hop International Thailand. She did not arrive on the show learning how to count eight beats. She arrived learning how to make those counts read on television.
RaeRae take:
Mothers have been blamed for plenty of rushed mornings. This one produced a girl-group career, so I am awarding Fai's mother permanent executive-producer credit.
What she does inside 4EVE choreography
Fai dances with weight. She does not skim across a beat or decorate it with pretty hands while the lower half of the choreography quietly dies. Her hip-hop background gives her grounded movement, sharper groove changes and the confidence to let a move look a little rough when rough is what the song needs.
That matters in a seven-member group. 4EVE formations can become visually busy, especially when styling, props and fast camera cuts arrive at the same time. Fai helps the rhythm stay readable. Watch her center-of-gravity changes, the way she finishes a hit, and how easily she switches from hard attack to a looser bounce.
She is also a useful reference point in dance practices. Music-video editing can hide who is actually carrying transitions. A fixed camera cannot. Fai rarely wastes the beat between the obvious highlights.
Rapper, vocalist and musician
“Main dancer” is the clean label, but it is not the whole file. Fai also raps and sings, which lets 4EVE place her in rhythmic verses without making her sound like a dancer temporarily borrowing a microphone. Her delivery works best when the production leaves room for personality instead of forcing every rapper into the same clipped idol cadence.
She has played ukulele, guitar and bass, and has talked about wanting to grow further into making beats and writing. The bass makes sense. Her dancing already shows that she hears the lower structure of a song, not only the melody floating above it.
Start with: “TEST ME” for the group’s breakthrough swagger, “VROOM VROOM” and “Hot 2 Hot” for choreography, then dance practices and concert footage where the camera cannot cut away from the work.
The bright personality came with bruises
Fai is known as playful, mischievous and extremely good at keeping a group interview from becoming formal. That public brightness should not be used to erase the harder part of her story. She has spoken about hurt caused by hate speech and the pressure that arrived with visibility.
A 2023 profile from INN News treated that experience carefully instead of turning it into spectacle. The more useful conclusion was simple: Fai is not an optional extra in 4EVE’s lineup. The group’s chemistry depends on all seven members, and her humor, support and performance energy are part of why the team feels lived-in rather than assembled.
Her 2024 SPACEBAR conversation leaned into the strange, funny details fans recognize: unusual stories, specific food opinions and a new dream she wanted to keep growing toward. She is not a perfectly packaged “cool girl.” She is much weirder and therefore much more memorable.
Fandom file
Group fandom: For Aye.
Nickname trail: Thai fan discussions often connect her with “banana” jokes and a playful identity that makes sense only after watching her interact with the members.
What short profiles miss: she was a competitive street dancer before the group, plays instruments, helps carry the group’s rhythmic spine and has been honest about the emotional cost of public attention.
Open the 4EVE group profile · Music video reviews · Tea and official news
Fandom notes and things the fact box misses
- Clean does not mean plain: Fai makes strong choreography look organized without ironing the personality out of it.
- The dry edge: her delivery often lands because she does not oversell the joke, the attitude or the camera moment.
- Performance-line insurance: when formations get busy, her control helps the stage keep its shape.
- Quiet confidence photographs well: fans notice that she can hold attention without fighting every member for the loudest expression.
RaeRae take:
Fai is proof that precision can have a personality. She does not need to throw glitter at every count. She places the line correctly, gives the camera one look, and lets everybody else discover they were already watching.
The 2026 file: four singles and an arena-sized checkpoint
4EVE remained active through 2026 with “Girls Like Me,” “MY CHAINZ,” “Bloom,” and “TEA.” Apple Music lists “TEA” as the May 29 release, while Spotify credits TPOP Incorporation under exclusive license to 88rising Records. That catalog activity makes Fai’s current status straightforward: active member, 2020 to present.
The singles also widened the performance test. “Girls Like Me” and “MY CHAINZ” lean into confidence and group identity, while “TEA” connects 4EVE to a broader regional pop distribution lane. For Fai, every change in groove alters the details that matter: where her weight sits, how long she lets a count stretch, and whether the rap texture should cut through or settle inside the ensemble.
The 4EVE UNCHAINED CONCERT on June 6 and 7 at Impact Arena provided the larger checkpoint. Reporting described the show as a five-year growth statement built around breaking limits. Arena performance asks for more than clean choreography; a member must project across distance, conserve energy, and keep the ensemble readable through a full set.
Why the group timeline belongs in an individual profile
A member page should not become a duplicate discography, but Fai’s skills only make sense against the work they were used to perform. The survival-show formation, 2020 debut, first album, touring growth, GLOW, and 2026 singles create the sequence in which her dance vocabulary became more visible.
That sequence also prevents old role labels from becoming a ceiling. “Main dancer” describes a responsibility, not the total of her work. Fai raps, contributes vocal texture, handles variety material, and supports transitions that let another member take center without the stage losing momentum.
She has not released an official solo track as of August 2026, so this profile remains routed through 4EVE rather than the Artist shelf. Individual dance clips, interviews, and brand appearances deepen the member file but do not create a separate music career by themselves.
Evidence notes for a cross-border fan archive
4EVE is a Thai pop group, and the most reliable current music evidence comes from the group’s official channels and major streaming catalogs. English-language K-pop databases often lag behind T-pop releases or recycle early survival-show facts. This page treats them as leads, not final authority.
Fai’s private life, body measurements, and unsourced school stories are outside the useful record. Her documented public work already supplies enough depth: competitive dance training, a reality-show debut path, five-plus years in a seven-member group, live arena experience, and an active 2026 catalog.
YouTube tracking history
CVM Sekai tracks the official 4EVE channel for group music videos, dance practices, live stages, behind-the-scenes footage, and clearly labeled member content featuring Fai. Group releases stay attached to the 4EVE profile as well as this member profile, while interviews or dance clips do not create an Artist classification without a formal solo music release.
Sources
Primary catalog and activity checks use the official 4EVE channel and label-controlled accounts, supported by established Thai editorial coverage for interviews and concert reporting.
- Apple Music: official 4EVE catalog through 2026
- The Standard Thailand: 4EVE UNCHAINED CONCERT
- 4EVE official Instagram
- 4EVE official YouTube
- SPACEBAR VIBE: long-form Fai interviewDaily+3Total views31.7K
- INN News: Fai’s growth and public-pressure story
- Vogue Thailand: 4EVE group interview
- Amarin TV: early 4EVE member interview
Zodiac Side Quest
Western sign: Sagittarius. Sagittarius is the mutable-fire sign linked with motion, candor and an appetite for new experiences. That tracks nicely with Fai’s dance-first energy, instrument side quests and stated love of roaming through cafés when the schedule releases her back into society.
Chinese zodiac: Water Horse. Horse years are associated with independence, speed and restless energy. Water adds flexibility and social instinct. Fai was born after Lunar New Year in 2002, so Water Horse is the correct pairing. A dancer receiving Horse energy feels almost too neat, but the zodiac apparently wanted an easy day.
React image cards
Static cards route each exact official upload to its own in-depth React. Every card repeats that React’s featured and hero image so the archive stays visually traceable.

Woh oh oh: 4EVE Turned a Department Store Into a Crush Emergency
Exact-video React · Read the full review

Situationship: 4EVE Flew to Tokyo and Still Could Not Get a Relationship Label
Exact-video React · Read the full review
Official Socials and Official video tracker
- Woh oh oh: 4EVE Turned a Department Store Into a Crush Emergency exact official videoDaily+557Total views2M · React complete
- Keep a Secret: 4EVE Opened the Group Chat and Gave Us 2:10 to Behave exact official videoDaily+788Total views3.9M · React complete
- Let Me Know: 4EVE Put Seven Women in the Eye-Contact Waiting Room exact official videoDaily+2.8KTotal views11.2M · React complete
- Situationship: 4EVE Flew to Tokyo and Still Could Not Get a Relationship Label exact official videoDaily+3KTotal views18.4M · React complete
- Hot 2 Hot: 4EVE Brought a Fan Dance to a Heatwave and Refused Air Conditioning exact official videoDaily+18.2KTotal views53.4M · React complete
- Hot 2 Hot Live: 4EVE Turned Impact Arena Into One Giant Hand Fan exact official videoDaily+250Total views4.7M · React complete
- Scent-imental Love: 4EVE and Sandy Yanisa Made a Crush Smell Like Evidence exact official videoDaily+329Total views23.5M · React complete
Groove is a timing decision
Fai’s strength is not simply hitting harder. She places weight inside the beat, lets some movements drag and attacks others early enough to create texture.
That difference separates groove from force. A dancer can be powerful and still feel musically flat if every count receives identical treatment.
Street styles need their lineages named
Hip-hop training gave her tools in rhythm, bounce and battle-minded projection. Those forms came from Black communities and deserve more than a generic “urban dance” label.
Crediting lineage does not weaken Thai performance identity. It makes the training story more honest and the criticism more precise.
Rap delivery grows from the body
Her rhythmic instincts help phrases land because she understands how consonants and movement share accents. The strongest moments sound physically placed, not recited over choreography.
The next step is more authored material. Delivery shows skill; writing credit would reveal how she organizes language when the assignment begins with her.
The bright personality is not a review exemption
Humor and openness make variety content easier, but performance criticism still has to examine breath, phrasing and consistency. Likability cannot do the technical work.
The good news is that Fai gives critics plenty of actual movement evidence, so nobody needs to replace analysis with personality adjectives.
A main dancer must also know when not to dominate
Group choreography requires her to support another center, reduce scale and make transitions clean. Restraint is part of leadership inside movement.
A solo clip rewards maximum visibility. A seven-member formation often rewards the person who makes everybody else’s timing look more convincing.
The 2026 test is authorship
After years of releases and large stages, the useful question is whether performance knowledge begins appearing in choreography, staging or writing credits.
Experience should eventually change more than execution speed. Even one documented creative contribution would make the profile’s next chapter materially different.
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Musicality shows between the headline moves
The strongest dancer is often judged by the most difficult count. Fai’s real value also appears in groove maintenance, spacing corrections and the half-beat that prepares another member’s entrance.
Those quieter decisions keep choreography from looking like seven separate attempts at the same routine.
Competition experience taught recovery
Battle and contest stages rarely proceed exactly as rehearsed. A performer learns to absorb a mistake, re-enter rhythm and keep the face from announcing the emergency.
That recovery skill matters more on tour than one perfect studio take. The profile should track live consistency as the stage archive grows.
Instrument knowledge widens the listening file
Her musical interests and performance training should be followed where official evidence supports them, especially if arrangement or composition credit appears.
Do not convert hobby into authorship early. Keep the category ready, then let actual credits decide when it becomes a career branch.
A solo would need more than a dance break
Fai can hold visual focus, but a complete solo identity would also require song choice, vocal or rap direction and a concept that explains her beyond movement.
That challenge is exciting because the dance evidence is already secure. The next project should reveal the part viewers cannot predict from a compilation.
Touring will change the evidence file
Repeated live dates show how Fai manages energy, adapts spacing and keeps groove consistent after travel. One stage can reveal talent; a tour reveals systems.
Future updates should compare documented performances carefully instead of turning one tired night or one perfect fancam into a permanent verdict.
Fai’s performance file will remain tied to credited choreography and full stages. That protects the dancers who built the work while giving her execution the detailed analysis it deserves.




