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THE TEA · KISS OF LIFE · CONFIRMED WITH LATER UPDATES

KISS OF LIFE’s Birthday Livestream Became a Months-Long Reputation Crisis

A birthday broadcast lasted less than an hour. The consequences reached apologies, KCON LA, legal action and a fandom that could not agree whether accountability had an expiration date.

KISS OF LIFE KCON LA withdrawal reporting

Status: Confirmed, with later updates

Original event: April 2, 2025

Latest meaningful update in this file: June 5, 2025

People: Julie, Natty, Belle, Haneul · KISS OF LIFE

What happened

On April 2, KISS OF LIFE broadcast birthday content for Julie around an old-school hip-hop concept. Viewers objected to exaggerated styling, speech, gestures and behavior that read as racial caricature rather than appreciation. The official upload was removed. The internet kept the evidence.

The timeline

  1. April 2: the birthday livestream aired and criticism spread.
  2. April 3: S2 apologized, acknowledged stereotypes and removed related content.
  3. April 5: the four members issued their own apology.
  4. May 17: withdrawal from KCON LA was announced as fallout continued.
  5. June 5: S2 announced legal action concerning malicious posts and harassment.

Intent did not cancel impact

The defense that the members admire hip-hop misses the complaint. Admiration does not automatically make exaggerated Black stereotypes respectful. The concept team understood the surface of an era and failed to understand the people who built it.

Criticism was justified. Threats, sexual harassment and dehumanizing abuse were not. Both sentences can exist without one erasing the other.

What changed—and what cannot be measured in one comeback

The apologies acknowledged harm, KCON had a material consequence, and the group returned to work. Whether trust recovered is not a chart number. It depends on behavior, concept decisions and whether the lesson survives longer than the press cycle.

Why the first response did not close the file

S2 described the broadcast as an old-school hip-hop concept and acknowledged that it could reinforce stereotypes. That mattered, but many readers heard an explanation of intent before a full recognition of impact. People were not confused about whether KIOF enjoyed hip-hop. They were asking why admiration had been performed through exaggerated Blackness.

The member apology helped because the four women attached their own names to the harm instead of leaving every sentence inside company language. An apology still does not set a countdown clock for forgiveness. Fans, casual listeners and the communities represented badly are allowed to respond at different speeds.

KCON LA turned internet criticism into a career consequence

The May withdrawal moved the story beyond comments, follower counts and apology graphics. A major United States schedule disappeared. The outcome showed that international promotion depends on cultural judgment as well as performance skill.

It also produced the predictable backlash cycle: some people demanded permanent exclusion, while others treated any consequence as proof that criticism had gone too far. Neither extreme makes a useful record. The timeline documents what happened; it does not appoint the internet as a sentencing court.

The June legal notice belongs here too

S2’s June update about malicious posts did not retract the apology. It addressed a separate problem: threats, sexualized abuse, defamation and harassment aimed at the members. Accountability for racist caricature does not grant strangers permission to abuse four women. Protecting them from illegal conduct does not erase the conduct they apologized for.

Future styling, scripts, variety concepts and international interviews will provide better evidence than a statement written during crisis week. This file remains updateable because reputational stories continue when meaningful facts arrive—not whenever a fan account restarts the argument.

Receipts

The source file includes the agency statements, member apology, KCON LA withdrawal reporting and S2’s June legal update. The featured image is a local Media Library copy from the linked Korea JoongAng Daily report.

RaeRae take

I like KISS OF LIFE. That is why I refuse to protect them with amnesia. The livestream was ugly, the apology was necessary, the KCON consequence was real, and harassment still did not become acceptable. Fans are allowed to keep the music and the timeline in the same folder.